Friday, November 27, 2020

“Miss Jennie is Mostly a… Well, Being a Christian Oz author I just can’t say it”

NOTE: Autocorrect sometimes changes some blogpost text on smartphones to make it appear it has errors even after text has been saved correctly.


A Review of a Fantasy Book, Stolen to Oz: Toto and Miss Jennie in Oz (without Dorothy), Which is Mostly a Parody Yet an Oz book bridge

By: Ron Baxley, Jr. Four Stars (****)

“There are laws protecting folks against dogs that bite,” the character Miss Gulch states in M.G.M.’s 1939 “The Wizard of Oz”. Also, there are laws protecting parodies against corporations that bite, which is good because this fantasy book contains many parodies of the film from which I just quoted. Within the aforementioned film, Aunt Em states, “How would it be if she keeps him (Toto) tied up? He’s very gentle… with gentle people, that is.” In fact, author Alan Lindsay does tie in many parodies and even ties in Toto in a new story in his recently released book. Toto gets to bite another non-gentle person this time!

Stolen to Oz: Toto and Miss Jennie in Oz (without Dorothy) has a character Miss Jennie Grierson, who parodies Miss Gulch, as an owner of a large plantation in Wamego, Kansas. Next, the book introduces a character Doctor Fiddledog, a snake oil salesman and entertainer who parodies Professor Marvel and perhaps O.Z. Diggs / the Wizard of Oz himself. Presumably after Dorothy’s return from Oz, Miss Grierson, after dognapping Toto and putting him in a basket on her bicycle, literally runs into Doctor Fiddledog’s snake oil wagon and eventually becomes entangled, if you will, in a plot with him that involves O.Z. Diggs’/the Wizard of Oz’s balloon and their going to Oz. I will leave how the balloon ended up in Wamego, Kansas to the reader and just how the balloon ends up in Oz too as well. There is an entire, interesting mysterious sub-plot about it with the Scarecrow, Tinman (not Tin Woodman in this book), and Cowardly Lion.

Unlike Miss Gulch in the M.G.M. film, parody character Miss Jennie Grierson is given an excellent tragic back-story which makes her only mostly a figurative witch and more of a sympathetic character. Miss Grierson, unlike the seemingly completely alone spinster Miss Gulch, is also given a niece, Claire, whose aspirations for art school have been figuratively squashed like the Wicked Witch of the East by Miss Grierson. Unlike Professor Marvel, Doctor Fiddledog just alludes to O.Z. Diggs a little. He is a bit of a humbug, though. His Dickensian name alludes to his actually fiddling and I think his having an affinity for Toto.

When the main characters arrive in Oz at a mysterious yet familiar dark castle after the hot air balloon they end up in gets hung up in a tree but then lost, Miss Grierson and Doctor Fiddledog do not care for each other very much at first. With Toto’s help, they navigate the strange country in which they have landed and cooperate. One cooperative move is having Miss Grierson ring chickens’ necks for dinner while Doctor Fiddledog does the cooking. This would probably make later-series-book arriver Billina the hen faint (lunch-box trees and vegetarian options in Baum's books seem to contrast this killing of animals, yet this adds rural realism to the fantasy from the Kansas visitors). Next, Toto only barks and leads them to places and does not talk to the characters there (which Baum stated Toto could opt to do after only teasing Dorothy by not speaking like other Oz animals in The Wonderful Wizard of Oz). Winkie Guards and Winged Monkeys, in possession of the Golden Cap which controls them, soon make an appearance, pointing out with their physical presence just who once owned the place. The Winged Monkeys do not appear to speak at first but later reveal that they did not speak because no one spoke directly to them. They also provide comic relief.

Within what the main characters eventually discover is Winkie Country, a crabby tree growing near the dark castle ends up being more of a multiple fruit tree and a hybrid of the ominous, talking trees from Quadling Country that blocked Dorothy and friends from continuing to Glinda’s castle and a parody of the talking M.G.M. apple trees. Dr. Fiddledog helps the near-dying crabby tree get water, the scarcity of which in the castle is their first clue as to its ownership. I enjoy grumpy characters and found the crabby tree to be most entertaining. He is a talking tree trope of sorts but one who is in a long line of quasi-helpful side-kicks of deceased evil beings who turn to good just out of convenience. A lot more than this occurs in the narrative, and this book will serve as a good bridge for children and youth and adult Oz fans who are more familiar with the M.G.M. film to books of L. Frank Baum. The golden cap for the Winged Monkey and its attributions, the true color of the magic shoes, the color coding of the countries of Oz, the settings of the Emerald City and Munchkin Country (as depicted in the books), and other aspects will point the way to them from the film it parodies at times to Baum’s books.

I enjoyed one particular character arc in the book and enjoyed the many parodies of the M.G.M. film and the references to the Baum books, but what I did not enjoy was the anti-climatic ending of one main character. Also, at 109 pages with really just a start at page 11, the 87 page fantasy fiction novel is more of a novella and might be better priced lower than even $10 ($9.99). However, the illustrations by experienced Oz illustrator Dennis Anfuso make it even more worth it.  The cover and interior illustrations by Anfuso are in a sketchy style similar to that of Quentin Blake but distinctively Anfuso-ian with his eye for the details which classic Oz illustrators such as Denslow and Neill saw in Baum’s characters. The Scarecrow is sufficiently lop-sided with the painted-on face, the Cowardly Lion has that one bow and soulful expression, and the Tin Man (not Tin Woodman in this case) is nicely cylindrical yet kind looking. The Flying Monkey leader has a golden cap drawn just as it was described or drawn in the Baum books yet has Anfuso’s flair for realism when it comes to animals. Toto has a warm expression and also shares this flair. The other characters are combinations of parodies and Baum facets.

This book’s length is remedied by the great illustrations, yet the anti-climatic ending with one main character cannot be overlooked by me like a few errors can be (we all have a couple of those). Nevertheless, the parodies of M.G.M. characters and the bridging of the film to the Baum books in this book is quite an accomplishment and makes for a good, quick read for novices of Oz and those who wish to remember what it was like to be full of wonder like them. You may not want to put this book up… PUT IT UP! (Sorry… I couldn’t resist.)  

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